Best Tips For WHAT IS THE GAME
The general term "games" includes table games such as chess and monopoly, card games such as poker and blackjack, casino games such as roulette and slot machines, military war games, computer games, various types of games among children, the list goes on.
In his excellent book, A Theory of Fun for Game Design, Ralph Küster defines a game to be an interactive experience that gives the player a growing streak.
Most 2D and 3D video games are examples of what computer scientists call an agent-based, real-time interactive computer simulation.
We probably all have a pretty good intuitive idea of what a game is. The general term "games" includes table games such as chess and monopoly, card games such as poker and blackjack, casino games such as roulette and slot machines, military war games, computer games, various types of games among children, the list goes on. In academia, we sometimes talk about game theory,
where many clients choose strategies and tactics to maximize their gains within a well-defined set of rules. When used in the context of console or computer-based entertainment, the word "game" usually conjures up images of a three-dimensional virtual world that has a human, animal, or vehicle as the protagonist under the player's control. (Or, for the old soldiers among us, it might bring to mind images of 2D classics like Pong, Pac-Man, or Donkey Kong.) In his excellent book,
A Theory of Fun for Game Design, Ralph Küster defines a game to be an interactive experience that gives the player a growing streak. It is one of the difficult patterns that he learns and eventually masters. Küster's contention is that learning and coping activities are at the heart of what we call "fun," just as a joke becomes funny the moment we "get it" through pattern recognition.
Video games as a real-time soft simulator
Most 2D and 3D video games are examples of what computer scientists call an agent-based, real-time interactive computer simulation. Let's break down this phrase to better understand what it means. In most video games, a subset of the real world—or fictional world—is mathematically designed so that it can be manipulated by the computer.
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The model is an approximation and simplification of reality (even if it is fictional reality) because it is clearly impractical to include every single detail down to the atomic or quark level. Therefore, a mathematical model is a simulation of the real or imagined game world. Rounding and simplification is a game developer's most powerful tool. When used skilfully, even a very simplified form can sometimes be almost indistinguishable from reality and be the most comfortable.
Agent-based simulation is a simulation in which a variety of entities known as "agents" interact. This fits well with the description of most 3D computer games where the agents are vehicles, characters, fireballs, power points, etc. Given the nature of most agent-based games, it should come as no surprise that most games today are implemented in an object-oriented programming language, or at least loosely object-based.
All interactive video games are temporal simulation, which means that the model of the virtual game world is dynamic - the state of the game world changes over time as the events and story of the game evolve. The video game must also respond to unexpected inputs from its human players - this is an interactive time simulation. Finally, most video games present their stories and respond to player input in real time, making it an interactive real-time simulation.
A notable exception is in the category of turn-based games such as computer chess or unreal strategy games. However, even these types of games usually provide the user with some form of real-time GUI.
What is the game engine?
The term "game engine" originated in the mid-1990s in reference to first-person shooter (FPS) games such as Doom by id Software. Doom is built with a reasonably well-defined separation between its core software components (such as a 3D graphics rendering system, collision detection system, or sound system) and the technical assets, game worlds, and game rules that comprise the player's game experience.
The value of this chapter became apparent when developers began licensing games and retooling them into new products, creating new art, world layouts, weapons, characters, vehicles and gameplay with only minor changes to the Engine. This marked the birth of the "nodding community" - a group of single players and small independent studios that built new games by tweaking existing games using the free toolkits provided by the original developers. Towards the end of the 1990s, some games such as Quake III Arena and Unreal were designed for reuse and "modification".
Engines became highly customizable via scripting languages like id's Quake C, and engine licenses began to be a viable secondary income source for the developers who created them. Today, game developers can license the game engine and reuse large parts of key software components to build games. Although this practice still involves significant investment in custom software, it can be more economical than developing all major engine components in-house. The line between the game and its engine is often blurred.
Some engines distinguish fairly clearly, while others make almost no attempt to separate the two. In a game, the display code may "know" exactly how to draw an orc. In another game, the rendering engine may provide universal textures and shadow facilities, and the entire "orc-ness" may be specified in the data. There is no studio that clearly separates the game and the engine, which is understandable given that definitions of these two components often change as game design takes hold.
It is likely that data-driven engineering is what separates the game engine from the part of the software that is a game and not an engine. When a game contains coded game logic or rules, or uses a special state code to display certain types of game objects, it becomes difficult or impossible to reuse that software to make another game. Perhaps we should reserve the term "game engine" for software that can be extended and can be used as the basis for many different games without major changes.
This is clearly not a black-and-white distinction. We can think of a set of reusability on which each engine falls. You might think that your game engine might be something like Apple QuickTime or Microsoft Windows Media Player - a general purpose program capable of playing pretty much any game content imaginable. However, this model has not yet been achieved (and may never be).
Most game engines are precisely designed and tuned to run a particular game on a particular hardware platform. Even the more general cross-platform engines are really only suitable for building games in one specific genre, such as first-person shooters or racing games. It is safe to say that the more general a game engine or middleware component is, the less optimal it is to run a particular game on a particular platform.
This phenomenon occurs because the design of any functional piece of software always involves trade-offs, and these trade-offs are based on assumptions about how the software will be used and/or about the target hardware it will run on. For example, a rendering engine designed to handle intimate indoor environments may not be very good at rendering large outdoor environments.
The internal engine may use a binary spacing tree (BSP) or gantry system to ensure that geometry that is blocked by walls or objects close to the camera is not drawn. On the other hand, an external engine may use a less precise occlusion mechanism, or not at all, but will likely use LOD techniques extensively to ensure that distant objects are displayed with the fewest number of triangles while using high-resolution triangle grids for a geometric sample close to Camera.
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The advent of increasingly faster computers and specialized graphics cards, along with more efficient display algorithms and data structures, has begun to smooth out the differences between graphics engines of various types. It is now possible to use the first-person shooter engine to, for example, build a real-time strategy game. However, the trade-off between generality and optimization remains. The game can always be made more impressive by tuning the engine according to the specific requirements and limitations of the game and/or a particular hardware platform.
Engine differences across types
Game engines are usually quite specific. The engine designed for a two-person fighting game in a boxing arena will be very different from an online multiplayer game (MMOG), first-person shooter (FPS), or real-time strategy (RTS) engine. But there are also quite a few interlaced 3D games, regardless of genre, that require some form of low-level user input from the control panel, keyboard and/or mouse, some form of 3D grid display, and some form of Head-up Display (HUD ) including displaying text in a variety of fonts, powerful sound system, the list goes on. So while the Unreal Engine, for example, was designed for first-person shooters, it has also been used successfully to create games in a number of other genres, including simulation games such as Farming Simulator 15 (FS 15 mods) and Epic Games' popular third-person shooter franchise Gears of War and blockbuster hits Batman: Arkham Asylum and Batman: Arkham City by Rocksteady Studios.
Most game engines are precisely designed and tuned to run a particular game on a particular hardware platform. The engine designed for a two-person fighting game in a boxing arena will be very different from an online multiplayer game (MMOG), first-person shooter (FPS), or real-time strategy (RTS) engine. So while the Unreal Engine, for example, was designed for first-person shooters, it has also been used successfully to create games in a number of other genres, including simulation games such as Farming Simulator 15 (FS 15 mods) and Epic Games' popular third-person shooter franchise Gears of War and blockbuster hits Batman: Arkham Asylum and Batman: Arkham City by Rocksteady Studios.
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FAQ
What makes a game the best game?
Both story and gameplay are important to having a great game. Players should feel connected to the characters and want to keep playing to see how the story unfolds. While gameplay is important, it doesn't always save a game.
How do you play tips?
A person is 'in'. Children run from one point to another, while the 'in' tries to tip/catch them. Tipped/caught/tagged children are then also 'in'. The game ends when there is only one person left who has not been tipped/caught/tagged.
What is the strategy of the game?
Gaming techniques are the use or adaptation of existing games or the development of training games.
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